Artist Statement

My new paintings are created on various surfaces, masonite, plexiglass, aluminum, or heavy raw duck canvas using
acrylic, latex and oil paints. They are process driven works.

My art-making methodology involves readying myself by means of Transcendental Meditation (relaxing and clearing the
mind of preconceived images), and then executing some form of random mark, stroke, swath or pool of paint, and then
each subsequent stroke is suggested from the previous. The idea is to get the painting to paint itself.

The process and the resulting image then, is what the painting is about. I consciously try not to impose myself on the
painting, yet become part of the natural random progression of the art.

I choose the square as my basic plane because it speaks of power and control without imposing traditional image
connotations. (The vertical rectangle is usually associated with portrait, horizontal with landscape.) The images are mostly
unconscious or intuitive and are non-representational.
The balances and interactions of the color, shapes and line are what interest me, and the way I attempt control over the
random factors of the painting technique.